Blue Blood Clothing

The blue blouse (Russian: ????? ?????, Sinyaya Bluz) was a kind of theater in the early Soviet Union, which has existed since 1923 to early 1930. Consequently, members of the group were called ???????????? / Sinebluzniki. The first "Blue Blouse" troupe was created in the Institute of Journalism of Moscow. The artists played in dresses of the worker, blue blouses, hence the name. They had a magazine of the same name. Later, a number of troops sinebluznik were created in a number of other places.

Silk '> http://www.himfr.com/buy-Silk_Shirts/ "> Silk Shirts After the Russian Revolution of 1917 there was a very real and perceived need to rally people around the Communist cause. Although the revolution was won in the major cities in Russia, there was still an important faction of citizens who have not accepted the new government or its principles. In addition, the majority of Russia was illiterate at the time of the revolution. A number of artists, with the help of government, have taken it upon themselves to act as sponsors educational and social system of the new communist. One of the most famous groups of this kind was the blue blouse, who used a simple yet stylized images to convey their message in an entertaining and informative.

Founded in 1923, the blue blouse became famous mainly because of the success of his national and international tours, and the popularity of its publication. The blue blouse had a detailed description of itself and its motives, as evidenced by this page of the magazine in a blue blouse: blouse blue is a journal of life drama from the report (the spoken speech communication). Blue Coat is a form of agitation, a topical drama born of revolution, an assembly of political and general phenomena presented in terms of the ideology of the proletariat. Blue Coat is a flexible, lively, juicy, powerful and moving drama, spectacle of all conditions. Blue Coat is ... platform variety, a particular form of art amateur club workers.

To a large extent, it is true that they were able to stay connected to the ideology of the proletariat. They have been subject to a wide range of sources, mainly newspapers taking shape, but also accept contributions of any writer who might be interested in participating, regardless of their previous experience drama. This has often interfered with their artistic growth as a dramatic style. The quality and quantity of competent writers is not ideal and much work has been reviewing and changing rooms amateur who was initially very dry. The solution to this problem materialized in the form of the blue blouse, a publication launched by a central committee of writers and artists, and disseminated throughout the country. Included in the magazine have been scripts with detailed descriptions of setting, costumes, etc., as well as latest developments on the forehead and between the groups in rural areas.

The idea was that any group would be able to start reading the magazine and creating representations of her without having to boot up with new materials and new artistic innovations, thus saving time. At least one third to half the contents of the provision should be made based on the local news, thus retaining the specificity and appropriateness of content for each audience. The blue blouse relied heavily on the enthusiasm of all participants, writers, actors, members of the audience. Most players were young and idealistic with respect to the revolution. These "new blood" were intended to ensure that they have been little affected by the I. Bourgeois